Видео

@@LilYassofficial Thanks for the tactful, compassionate feedback! But I didn't make this for you.

@@SesameCake Who ever you made it for thinks it's awful that's for sure

Thanks! Jon Brion is one of my favorite composers. I would love to do a fully-produced cover of "Little Person" one of these days.

I'm not too good at tutorials and I also can't read music, sorry! I'll see what I can do since I learned most of the chords by ear.

@@m.o.r.a.n.4030 Thank you!

@@RoCkaS90 I'll see what I can do!

@@SesameCake maybe like the main notes o movement of hands ja idk thanks

Sorry, I didn't actually use one but I do know the chords are: G#, C#m repeated twice then changes to Emajor, A minor, x 2 as well!

@@SesameCake thanks man)

@@dixofficial4157 Thanks!

@@gonzaloguerrero1861 Thanks! I suppose I did want to make it a bit easier to search for it's also one of my favorite songs by her. Glad you liked it!

Thanks! I'd love to do a lot more of Sufjan's stuff.

Thank you! I wish I practiced more classical music though.

Thanks I appreciate that!

Thanks!

No, not yet at least!

Thanks. It's just a series of chords and melodies I've improvised over.

Thanks!

Thank you kindly! I made this song about 6 years ago as a 22 year old trying to navigate a lo-fi but high-minded (or at least I'd like to think so) kind of music production with an emphasis on organic acoustic instruments and a lot electronic synths. I had definitely been listening to a lot of Radiohead around that time and had been a fan before so naturally a lot of the stuff I made took on that characteristics. But I also was big on Sufjan Stevens, Joanna Newsom and other more indie-folk artists and wanted to combine the soft, earnest sentiments of folk with the sonic landscapes I heard from Radiohead, Aphex Twin, Autechre, Brian Eno and minimalists like Arvo Part and Steve Reich. You are correct, though. I am so off-key here that it hurts! I don't know how I let myself get away with being both pitchy AND off-rhythm. Part of it was intentional to add a turbulent aspect but most of it was uncalled for. While even today, succinctness and clarity aren't my strengths, I've got a lot more used to the click-track/metronome and anytime I record, I try my best to line up my audio whether it's guitar, piano or some VST up with the beat. I guess I'm still caught between the freeform nature of experimental music and the exactitude of more listener-friendly content. If you're interested in some newerish stuff: ruclips.net/video/OB_P9w4FSrw/видео.html&ab_channel=AndrewB.

Thank you!

Thank you!

Thank you! I was going for a strange blend of emotions with this.

Glad it this could be of some comfort. I wrote/played it at a pretty dark time in my life and for the longest time wasn't sure if I should post it. But then I figured it wouldn't do any good if I keep stuff I made private.

cut the drinking man, whats the point of you remembering most your life as vivid visions and black outs while youre on your deathbed

That's great to hear! If even one person's comforted by this it makes me feel like I'm doing something right.

@@SesameCakewhy did you delete my reply?

Thank you! I'll be sure to cover more of their music.

Thanks! I've been bowled over this kind of progression especially after listening to Stereolab and Broadcast.